This lick starts with a taste of B Dorian mode, then employs some chromaticisms to liven up some minor pentatonics in the upper register. It concludes with an outside sounding arpeggio sequence that lands on the root note.
An intermediate and advanced example of how to create a cascading and melodic sequence of arpeggios tied together to compliment a chord progression. This lesson will also cover using diminished scale arpeggios to melodically enhance chromatic chord changes. These examples are heavily inspired by Jeff Loomis and Paul Gilbert.